元明清时期是我国民族交往交流交融不断深化并逐渐定型的重要历史阶段。体育活动在此 过程中不仅作为身体实践的社会行为，更构成了情感沟通、文化认同与社会秩序建构的历史场域。研究 运用文献资料分析与逻辑归纳等方法，系统探讨元明清时期体育交往交流交融（下文简称“三交”）现象 的生成逻辑与文化效应。研究发现：元明清时期的体育“三交”是在多民族共治格局下由制度引导与文 化驱动共同促成的历史必然。体育在军礼演练、宫廷仪典、城市娱乐与边疆节庆等多重空间中，形成了 自上而下与自下而上的双向互动机制；在礼乐化的规训与民俗化的实践中，推动了体育技艺的社会转译 与文化再生，展现出显著的包容性与延展性。体育“三交”有效促进了族群边界的消融与重构，并以生活 化、日常化的方式深化了共同体的文化认同，体现出中华体育文明“以技融情、以礼化俗、以乐和群”的逻 辑。这一历史经验揭示了元明清社会通过技、礼、乐共融实现族群共存与文化和合的独特路径，不仅为 理解中华文明多元一体格局提供了重要历史参照，也为当代多民族国家的体育文化建设与社会凝聚力 培育提供了有益启示。

The Yuan， Ming， and Qing dynasties represent a crucial historical stage in which interethnic contact， communication， and integration in China deepened and gradually took shape. During this period， sports activities functioned not merely as social practices of the body， but also as a historical area for emotional interaction， cultural identity formation， and social order construction. Drawing on historical documents and logical induction， this study systematically examines the formation logic and cultural effects of the“three interactions”（san jiao）of sports during the Yuan， Ming， and Qing periods. The research finds that the sports“three interactions” were a historical necessity arising from the interplay between institutional guidance and cultural dynamics within a multiethnic governance framework. Sports activities across various domains— military drills， court ceremony， urban entertainment， and frontier festivals— formed a bidirectional interactive mechanism between top-down regulation and bottom-up participation. Within the dual processes of ritualization and popularization， sports facilitated the social translation and cultural regeneration of physical skills， revealing remarkable inclusiveness and adaptability. The sports“three interactions” effectively blurred ethnic boundaries and， through their everyday living forms， deepened cultural identity within the shared community. This historical experience illustrates the integrative logic of Chinese civilization—“communicating emotions through skill， cultivating customs with ritual， and unifying the community via music”— and reveals how the Yuan–Ming–Qing societies achieved coexistence and cultural synthesis through the fusion of skill， ritual and music. It not only offers important historical insight into the multiethnic unity of Chinese civilization， but also provides valuable inspiration for the construction of contemporary sports culture and the cultivation of social cohesion in a multiethnic nation.

K23； G812.9